6 Cine Lens (EF Mount),
Interchangeable Mount, First Cine Lens w/DSLR
Mount Option, Calibrated Lens Scales,
14-Blade Iris, Lightweight, Markings in
Feet. 6 Cine Lens (EF Mount) is part of the
second generation of CP cinema lenses that
were the first to offer the affordability
and optics of still-lens Distagons with the
functionality and handling of a motion
picture lens.
What distinguishes the CP. 2
from its PL-mount-only predecessor is its
interchangeable lens mount which allows the
included Canon EF mount to be easily swapped
out for an optional cinema-standard PL or
Nikon F mount.
For the first time a single
affordable professional quality lens can be
used on both cinema and still cameras
opening up creative possibilities that keep
your rig lightweight versatile and on
budget.
Arri Master Prime Lenses
A cinematographer's
dream: lenses that are both fast and have an
optical performance surpassing that of all standard
speed primes. The Master Primes open up new
creative opportunities, making shots possible
that would have been considered impossible before.
Arri Master Prime Lenses
15 high speed prime lenses
(T1.3) 12 - 150 mm
Higher resolution & contrast
, No geometric distortion,
Dramatically reduced flare,
Virtually no breathing
Master Prime T1.3/12mm
Master Prime T1.3/14mm
Master Prime T1.3/16mm
Master Prime T1.3/18mm
Master Prime T1.3/21mm
Master Prime T1.3/25mm
Master Prime T1.3/27mm
Master Prime T1.3/32mm
Master Prime T1.3/35mm
Master Prime T1.3/40mm
Master Prime T1.3/50mm
Master Prime T1.3/65mm
Master Prime T1.3/75mm
Master Prime T1.3/100mm
Master Prime T1.3/150mm
The ARRI/Zeiss Master
Diopters are a set of three high quality
diopters (+0.5, +1 and +2) that work with
Master Primes, Ultra Primes, Ultra Primes
LDS, Ultra 16 lenses, the Lightweight Zoom
LWZ-1 and others. Achromatic lens elements
and careful optical design ensure highest
optical performance, while the Zeiss T*
anti-reflex coating greatly reduces flares
and other internal reflections.
Their unique mechanical design allows for
safe and fast use, including quick stacking.
Close tolerances and a unique clamping
mechanism ensure perfect centering and keep
the diopter parallel to the taking lens. The
Master Diopters allow you to quickly grab an
extreme close up or get a wide angle shot
with shallow depth of field without
sacrificing image quality.
Arri Master Macro 100 – Close-Up on Quality
Arri Master Macro
100
For those who want the ultimate
in image quality for table top cinematography,
product shots, close-up inserts on feature films
or any other applications that require a macro
lens, the Master Macro 100 delivers images of
breathtaking beauty.
Designed for the ANSI Super 35 image format,
the Master Macro 100 can be used on any PL mount
35 mm film and single sensor digital camera.
In addition it can be used on PL mount 16 mm
film and single sensor 16 mm or 2/3” format
digital cameras.
With a 1:1 magnification ratio, a maximum aperture
of T2.0 and an optical design developed specifically
for macro work, the Master Macro delivers phenomenally
sharp and contrasty images with vibrant colours
for extreme close-ups of the highest visual
quality.
Fujinon Super Cine HD Primes
Fujinon Super Cine HD Primes
This line offers fixed focal
lengths of 5, 8, 12, 16, 20, 34, 40 and 54mm in
true HD-quality. They are designed specifically
to complete the latest digital high definition cinematography
cameras.