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35mm PL lenses
 

Cooke Mini S4i Prime Lenses

 
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Cooke Mini S4i Prime Lenses

Mini S4/i focal lengths are:

18, 25, 32, 40, 50, 65, 75, 100 and 135mm.

All Cooke lenses are colour matched. This means miniS4/i and S4/i lenses can be mixed on a shoot with full confidence that the images will match.

The miniS4/i Primes (T2.8 to T22 aperture) incorporate everything that today's filmmakers ask for: smaller, lighter-weight lenses that offer the same resolution, optical quality and reliability as the S4/i lenses at T2.8 speed. With the speed of the new digital cameras, T2.8 is the new, economical T2.0.

Maximum Format Cover
33.54mm Diameter (New Epic S35mm Format)
Focus Scales
Two opposing focus scales - metric or footage. Scales marked from infinity to MOD.
Focus Drive Gear
121 teeth 0.8 metric module x 5.0 wide x 104 from the image plane.
Iris Scales
Two opposing linear T scales - whole and third stops marked.
Iris Drive Gear
119 teeth 0.8 metric module x 2.5 wide x 84 from image plane.

 

Optical Design
The optics are designed to give maximum performance at full aperture with superior control of flare, distortion and spherical aberration.

Cooke /i Technology Lenses Electronics
Accessible via contacts in PL mount that sync with /i compatible cameras.

Colour Balance
All miniS4/i prime lenses are colour balanced to a specification within parameters approved by Kodak.

Aperture
All miniS4/i primes have a true T2.8 aperture and cover Super 35mm format.

Index Marks
Every index mark is labelled. More detailed markings allow for more detailed focus control.

Focus Movement
Our Academy Award® winning cam-style focus movement coupled with the added benefit of a large lens barrel diameter, has allowed for an increased number of focus markings, particularly at close focus. Spherical aberration has been controlled throughout the range of focal lengths to eliminate compensation of changes in back focus with aperture. A four-point contact bearing provides a smooth positive backlash-free movement.

Camera Mounts
Arriflex PL Mount

Focus Scaling
Large, clear numerals on both sides of the focus barrel benefit the focus puller when shooting under difficult lighting conditions. Plus the the Entrance Pupil position is engraved on the lens.

Compatibility
All Cooke miniS4/i primes have a common fixed front diameter of 87mm, with a focus drive gear of 121T x 0.8 mod and an iris drive gear of 119T x 0.8.

External Finish
A scratch resistant PTFE hard anodised finish is provided on all Cooke lenses, providing a durable, hard-wearing surface to meet the most demanding environmental conditions.

Iris
An eight-leaf linear module iris assembly is fitted into miniS4/i primes with an aperture range of T2.8 to T22.

Weight/Size Ratio
The lenses are designed for all shooting applications, including handheld and Steadicam, providing comfortable balance ratio with the latest compact cameras.

Reliability and Service
miniS4/i prime lenses are designed to meet a market requirement for fully reliable performance with a minimum of downtime.

Sony CineAlta PL Mount Prime Lenses

 
Sony CineAlta PL Mount Prime Lenses
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 Sony CineAlta PL Mount Prime Lenses

The CineAlta 4K Six Lens Kit includes the 20, 25, 35, 50, 85 and 135mm cine prime lenses from Sony.

Each lens has a fast maximum aperture of T2, with a circular 9 blade iris. These lenses are designed for Sony's CineAlta 4K cameras, including the PMW-F5 and F55.

•Sony 4K 20mm T2 Prime Lens
•Sony 4K 25mm T2 Prime Lens
•Sony 4K 35mm T2 Prime Lens
•Sony 4K 50mm T2 Prime Lens
•Sony 4K 85mm T2 Prime Lens
•Sony 4K 135mm T2 Prime Lens

•All lenses have a maximum aperture of T2
•Circular aperture with 9 blade iris
•Full metal construction
•One aspherical element
•Designed for CineAlta 4K cameras
•ARRI PL mount

 

Carl Zeiss Compact Prime CP.2 135mm T2.1 PL

 
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Carl Zeiss Compact Prime CP.2 135mm T2.1 PL

The Compact Prime CP.2 135/T2.1 lens is the longest lens ever added to the Compact Prime CP.2 product line. With its focal length of 135mm and the shallow depth-of-field that comes from using a telephoto, the cameraman can maintain a relatively long distance from the subject while also isolating the subject from the background area. This is especially important for scenes in which the main characters are the main focus and the camera needs to capture expansive movement throughout the scene. Due to the working distance and the long focal length, the captured image looks very natural. At 1.6kg (3.52lbs), the 135mm lens is very lightweight for this product class, and yet, as with all Compact Prime CP.2 lenses, it is sturdy and suited for use in rugged filming environments.

High Performance •Telephoto capable of powerful portrait shots •135mm / 11° angle of view / shallow depth of field •Complete coverage of full frame 24 x 36 size sensors •300° manual focus rotation allows precise follow-focusing •Accurately captures horizontal and vertical architectural lines •4K-compatible.

 

Superb Optics •Two aspheric lens elements and two special types of glass •T* coating and internal light traps very exceptionally handle flare •Fourteen iris blades open up consistently circular across all T-stops •Achieves smooth bokeh and impressive highlights in out-of-focus areas.

Broad Flexibility •Features an interchangeable mount system •Offers PL, EF, F, MFT, and E mount compatibility •Standard focus / iris gears for follow-focus compatibility •Works with all 24 x 36 sensor cameras, like the 5D and 1DC •Consistent front diameter and color-matched with the rest of the CP.2 family.

Arri / Zeiss 135mm LDS Master Prime T1.3

 
Arri-Zeiss-135mm-LDS-Master-Prime
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Arri / Zeiss 135mm LDS Master Prime T1.3

A wide stop of T1.3 allows shooting in low or available light for more natural-looking shots, creating the cinematic look of an extremely shallow depth of field. Its built-in Lens Data System (LDS) shows real-time lens status and depth of field information on the video assist or on a dedicated Lens Data Display, and is especially useful when using a crane or Steadicam.

SPECIFICATIONS:

• Focal Length: 135mm
• T Stop: T1.3
• Minimum Object Distance: .95m / 3'3"
• Weight: 6.2 lbs.

Arri Master Prime Lenses

A cinematographer's dream: lenses that are both fast and have an optical performance surpassing that of all standard speed primes. The Master Primes open up new creative opportunities, making shots possible that would have been considered impossible before.

 

Arri Master Prime Lenses

15 high speed prime lenses (T1.3) 12 - 150 mm
Higher resolution & contrast , No geometric distortion, Dramatically reduced flare, Virtually no breathing

Master Prime T1.3/12mm
Master Prime T1.3/14mm
Master Prime T1.3/16mm
Master Prime T1.3/18mm
Master Prime T1.3/21mm
Master Prime T1.3/25mm
Master Prime T1.3/27mm
Master Prime T1.3/32mm
Master Prime T1.3/35mm
Master Prime T1.3/40mm
Master Prime T1.3/50mm
Master Prime T1.3/65mm
Master Prime T1.3/75mm
Master Prime T1.3/100mm
Master Prime T1.3/150mm

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Arri Master Macro 100 – Close-Up on Quality

 

Arri Master Macro 100

For those who want the ultimate in image quality for table top cinematography, product shots, close-up inserts on feature films or any other applications that require a macro lens, the Master Macro 100 delivers images of breathtaking beauty.

Designed for the ANSI Super 35 image format, the Master Macro 100 can be used on any PL mount 35 mm film and single sensor digital camera. In addition it can be used on PL mount 16 mm film and single sensor 16 mm or 2/3” format digital cameras.

With a 1:1 magnification ratio, a maximum aperture of T2.0 and an optical design developed specifically for macro work, the Master Macro delivers phenomenally sharp and contrasty images with vibrant colours for extreme close-ups of the highest visual quality.

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Cooke S4/i Prime Lenses

 

Cooke S4/i Prime Lenses

Award winning Cooke S4 Prime Lenses were designed and developed in close technical collaboration with industry professionals. They are colour-matched and compatible with Cooke's, 18-100mm T3.0 and 25-250mm T3.7, 15-40mm, T2.0 CXX zoom lenses and the SK4 16mm lenses.

12, 14, 16, 18, 21, 25, 27, 32, 35, 40, 50, 65, 65SF**, 75, 75SF**, 100, 135, 150, 180 and 300mm.

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Zeiss Compact Prime lens Kit

 

Zeiss Compact Prime lens Kit

6 Cine Lens (EF Mount), Interchangeable Mount, First Cine Lens w/DSLR Mount Option, Calibrated Lens Scales, 14-Blade Iris, Lightweight, Markings in Feet. 6 Cine Lens (EF Mount) is part of the second generation of CP cinema lenses that were the first to offer the affordability and optics of still-lens Distagons with the functionality and handling of a motion picture lens.

What distinguishes the CP. 2 from its PL-mount-only predecessor is its interchangeable lens mount which allows the included Canon EF mount to be easily swapped out for an optional cinema-standard PL or Nikon F mount.

For the first time a single affordable professional quality lens can be used on both cinema and still cameras opening up creative possibilities that keep your rig lightweight versatile and on budget.

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Zeiss 35mm MKII Super speed kit

Zeiss 35mm MKII Super speed kit

With its unique set of super speed cine lenses Carl Zeiss opened the motion picture community new ways of creative expression.

At an aperture of f/1.2 or T 1.3 takes became possible at extremely low light levels as well as takes with extremely shallow depth of field. Even at full aperture the optical performance is fascinating.

ZEISS Super Speed 18mm T1.3
ZEISS Super Speed 25mm T1.3
ZEISS Super Speed 35mm T1.3
ZEISS Super Speed 50mm T1.3
ZEISS Super Speed 85mm T1.3

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Arri/Zeiss Master Diopters

 

Arri/Zeiss Master Diopters

Master Diopter +0.5
Master Diopter +1 1
Master Diopter +2 1

The ARRI/Zeiss Master Diopters are a set of three high quality diopters (+0.5, +1 and +2) that work with Master Primes, Ultra Primes, Ultra Primes LDS, Ultra 16 lenses, the Lightweight Zoom LWZ-1 and others. Achromatic lens elements and careful optical design ensure highest optical performance, while the Zeiss T* anti-reflex coating greatly reduces flares and other internal reflections.

Their unique mechanical design allows for safe and fast use, including quick stacking. Close tolerances and a unique clamping mechanism ensure perfect centering and keep the diopter parallel to the taking lens. The Master Diopters allow you to quickly grab an extreme close up or get a wide angle shot with shallow depth of field without sacrificing image quality.

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