Fujifilm GFX Eterna 55
GFX ETERNA 55 is more than a tool. It’s a camera that lets filmmakers return to the essence of visual storytelling: the desire to speak through light. At the heart of GFX ETERNA 55 lies a powerful large format sensor: 44x33mm (55mm diagonal), far exceeding the traditional 35mm full-frame.Its expansive surface records light in stunning detail, delivering a cinematic aesthetic with unique depth of-field characteristics that standard formats simply can’t replicate.
- Massive Sensor: It uses a 102MP CMOS II HS significantly larger than standard full-frame sensors and is described as one of the “tallest” cinema sensors available.
- 8K Video Performance: Capable of internal 10-bit 4:2:2 recording and 12-bit RAW output up to 8K/30P via HDMI.
- Cinematic Features: Includes a built-in electronically variable ND filter (0.6 to 2.1), over 14 stops of dynamic range, and dual-base ISO (800 / 3200).
- Professional Workflow: Unlike standard GFX cameras, it features dedicated industry-standard ports including SDI, Genlock, and timecode.
Experience the full specifications at Fujifilm GFX Eterna 55
Sensor
43.8mm x 32.9mm (Approx 1.7x the size of FF)
Sensor Modes
GF / PREMISTA / 35MM / ANAMORPHIC / SUPER 35MM
Lens Mount
G ( Native )/ PL / LPL
Media
Internal Recording:
CFexpress 2.0 Type-B
Proxy XF-AVC: SD Card
Internal ND Filters
Electronic Variable ND Filter, 0.6(ND4)～2.1(ND128)
ISO
Dual Base: 800 / 3200
Native: 400 to 12,000 (100 to 25,600 Extended)
Unleashing the Film Stocks
GFX ETERNA 55 features 20 Film Simulation modes.
Utilising Fujifilm’s proprietary wide dynamic range, wide-gamut F-Log2 C/F-Gamut C, filmmakers can access ten expertly crafted Film Simulation LUTs* that replicate Fujifilm’s iconic film stocks in the digital format.This goes beyond simple colour grading,it’s digital storytelling infused with the rich heritage and expressive depth of analogue film.
Video Format
| Resolution / Aspect Ratio | Max Frame Rate (fps) | |
|---|---|---|
| 8K DCI (17:9) | 30p / 25p / 24p | |
| 8K UHD (16:9) | 30p / 25p / 24p | |
| 8K Anamorphic (2.76:1) | 24p | |
| 6.3K (16:9) | 30p / 25p / 24p | |
| 4.8K (3:2) Open Gate | 24p | |
| 4K (4:3) Open Gate | 48p / 30p / 24p | |
| DCI 4K / 4K UHD | 60p / 50p / 48p | |
| Full HD (17:9 / 16:9) | 120p / 100p / 60p |
*Internal Codecs (10-bit 4:2:2) – ProRes 422 HQ / 422 / 422 LT, H.265
| Output Type | Format / Codec | Max Resolution & Frame Rate | Interface |
|---|---|---|---|
| RAW | ProRes RAW (Atomos) | 8K/30p, 4:3 Open Gate/48p, 4K/48p | HDMI / SDI |
| RAW | Blackmagic RAW (BMD) | 8K/30p, 4:3 Open Gate/48p, 4K/48p | HDMI / SDI |
| Uncompressed | 4:2:2 10-bit | 8K/30p, 4K/60p, Full HD/120p | HDMI 2.1 |
| Broadcast | 4:2:2 10-bit | 4K/60p, Full HD/120p | 12G-SDI |
*External 12-bit Raw recording available via Atomos Ninja TX or Blackmagic Video Assist 12G
