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HD CAMERAS

α7S II E-mount Camera with Full-Frame Sensor

 
Sony a7S II Camera
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α7S II Camera

 The α7S II features sensitivity up to ISO 409600; wide dynamic range; 5-axis image stabilization; internal recording of 4K movies in full-frame format featuring full pixel readout and no pixel binning; extra-fast, precise AF; and compatibility with a growing line of lenses.

Features:
35 mm full frame (35.6 x 23.8 mm), Exmor® CMOS sensor
BIONZ X™ processing engine
4K movie recording featuring full pixel readout without pixel binning
5-axis optical image stabilization minimizes blur
Fast Intelligent AF with enhanced speed and accuracy

Lens Compatibility - Sony E-mount lenses
Sensor Type - 35 mm
SENSOR - 35 mm full frame (35.6 x 23.8 mm), Exmor® CMOS sensor
Number Of Pixels (Effective) - Approx.12.2 MP
ISO Sensitivity - Still images: ISO 100-102400 (expandable to ISO 50-409600), AUTO (ISO 100-12800, selectable lower limit and upper limit), Movies: ISO 100-102400 equivalent (expandable to ISO 100-409600 equivalent), AUTO (ISO 100-12800 equivalent, selectable lower limit and upper limit)
Battery Life (CIPA, Still Images) Approx. 310 shots (viewfinder) / Approx. 370 shots (LCD screen) (CIPA standard)
Viewfinder Type XGA OLED, 0.5" (1.3 cm) electronic viewfinder (color)
Screen Type 2.95 in (3.0 type) TFT drive.

Canon C300 Mark II Cinema EOS Camera System

 
Canon C300 Mark II
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Canon C300 Mark II Camera System

Supreme 4K image quality and versatility.

With the ability to record 10-bit 4:2:2 files internally at up to 410Mbps in 4K, or 10/12-bit 4:4:4 files in 2K/Full HD, with up to 15 stops of dynamic range, the EOS C300 Mark II provides footage suitable for extensive post-production work, producing crisper images across the full colour spectrum with reduced “colour bleed”. The camera offers professional filmmakers and broadcasters alike the very best image quality, recording 4K in both broadcast (3840 x 2160) and DCI cinematic (4096 x 2160) resolutions.

The EOS C300 Mark II can record high bitrate 4K files internally to dual CFast 2.0™ media, while simultaneously recording 4K RAW files to an external recorder, offering the flexibility and universal appeal for production at the highest quality available today. Additionally, the ability to record 2K/Full HD Proxy files to an internal SD card, at the same time, further streamlines the production workflow process.

 

  The new Canon-designed Super 35mm CMOS sensor and an increased ISO range up to ISO 102,400 deliver exceptional low light performance, allowing operators to capture low-noise footage across a variety of challenging environments without compromising on image quality.

To meet the requirements of a diverse range of shooting applications, the EOS C300 Mark II offers both full manual control, ideal for cinematic environments, as well as automatic modes. These include, enhanced Dual Pixel CMOS AF (now covering approx. 80% of the frame vertically and 80% horizontally), auto white balance and Face Detection AF, all making it easier for independent news gatherers and documentary filmmakers to shoot on the go.

Arri Alexa mini

 
Arri Alexa mini
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Arri Alexa mini

Announcing the new ARRI ALEXA Mini

ARRI announces the new ALEXA Mini, a versatile additional tool in the ARRI ALEXA camera range that combines a compact and lightweight form factor with the same unparalleled image quality that has made the ALEXA system a gold standard for the industry. Designed for specialized shot-making, the ALEXA Mini perfectly complements a full ALEXA shooting kit and allows crews to eliminate the complications of working with third-party cameras by keeping everything within a single system that is trusted all over the world.

Visit the ALEXA Mini microsite for more information

Arri Amira

 
Arri Amira
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Arri Amira

Pick Up > Shoot

ARRI proudly introduces AMIRA, a versatile documentary-style camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation.

Ready to pick up and shoot straight out of the camera bag, AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 200 fps slow motion. It is suitable for a great variety of production types, from reportage and corporate films to TV drama and low-budget movies, so wherever you are headed and whatever you need to shoot, let AMIRA be your companion.

Sony PXW-FS7 XDCAM Super 35 Camera System

 
Sony PXW-FS7
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Sony PXW-FS7 XDCAM Super 35 Camera System

PXW-FS7 XDCAM camera has an ergonomic grip design for easy handling and operability, making it ideal for one-man operation in situations where the extraordinary flexibility of its α Mount lens system and compatible interchangeable lenses can be used to maximum advantage.

The PXW-FS7 features a 4K Super 35mm Exmor CMOS sensor and support for shooting in 4K** 60p or Full HD at high frame rates up to 180 fps (frames per second). Selectable recording formats include XAVC, which supports 4K* 60p, Full HD 60p even in 4:2:2 10-bit recording, as well as the common MPEG-2 HD 422 format used by many broadcast stations around the world.

Attach an optional Extension Unit (XDCA-FS7) to open up the possibilities of multi-camera shooting and ProRes 422 encoding**. Connect an HXR-IFR5 interface and AXS-R5 recorder to support parallel recording and 4K/2K RAW recordings up to 240fps in 2K.

Canon C500 PL 4k Camera

 
Canon C500 PL
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Canon C500 PL 4k Camera

The Canon EOS C500 PL 4K Digital Cinema Camera capitalizes on the groundbreaking ergonomic design of the EOS C300 camera, and offers a Super 35mm, 8.85-megapixel CMOS image sensor, DIGIC DV III Image Processor and an expansive range of recording and output options specifically for 4K and 2K image acquisition. Addressing the discrete needs of cinema and TV, the EOS C500 offers two forms of 4K origination - productions can dynamically select DCI (SMPTE 2048-1:2011 standard) or the alternative television-centric Quad-HD (SMPTE 2036-1:2009 and ITU-R BT.1769 standards) source image formats.

The EOS C500 PL features uncompressed Canon RAW output for both 4K and 2K recording. The Canon RAW output is delivered to external recording systems via built-in dual 3G-SDI ports. Dual uncompressed HD-SDI out ports supports external live monitoring. HD content can be written to dual onboard CF cards simultaneously to provide proxy video for offline NLE systems.

  Canon has collaborated with some of the most respected names in the industry to ensure the Cinema EOS C500 PL's output works seamlessly with external digital recording units, portable and master monitors, and on set DIT systems. The Cinema EOS C500 PL provides flexibility in 4K and 2K recording to allow production teams to maximize the efficiency in their production and post-production workflows.

Arri Alexa - M Camera

 
Arri Alexa - M Camera
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Arri Alexa - M Camera

The ALEXA M is a flexible solution consisting of a separate camera head and body; it is tailored for action and aerial photography, tight corner shots and 3D productions.

Based on cutting edge ARRI technologies, the M model features the same sensor, image processing, build quality, efficient workflows and exceptional image quality that have made ALEXA such a worldwide success.

The head and body of the M are connected with a fiber optic cable, which in a hybrid form can also be used for powering the head. Weighing well under 3 kg, the compact front end offers multiple mounting points and versatile maneuverability.

Meanwhile the body provides various options for recording images, sound and metadata, accommodating as many different workflows as the standard ALEXA.

Arri Alexa - Studio Camera

 
Arri Alexa - Studio Camera
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Arri Alexa - Studio Camera

At the pinnacle of the range is the ALEXA Studio, featuring a quiet, adjustable mirror shutter and an optical viewfinder that provides a real-time, high contrast image with true colors.

The Studio is a direct response to cinematographers requests for a camera that perfectly combines cutting edge digital image-making with traditional elements of the film cameras they have known and trusted for generations.

Another key feature of the ALEXA Studio is its 4:3 sensor, which makes it the only digital camera (aside from the ARRIFLEX D-21) to boast true anamorphic capability.

Anamorphic lenses create a unique, cinematic look that has been appreciated by directors and cinematographers for over half a century, and cannot be created in post.

Blackmagic Production Camera 4K

 
Blackmagic Production Camera 4K
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Blackmagic Production Camera 4K

World’s most portable 4K digital film camera!

Shoot Ultra HD TV or 4K feature films with the new Blackmagic Production Camera 4K.

You get a large Super 35 size sensor with professional global shutter combined with precision EF mount optics, high quality visually lossless compressed CinemaDNG RAW and Apple ProRes 422 (HQ)™ file recording for a complete self contained solution.

The built in touchscreen lets you monitor, change settings and enter metadata directly on the camera!

Sony PXW-Z100 4K professional handheld XDCAM camcorder

 
Sony PXW-Z100 4K
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 Sony PXW-Z100 4K Camera systems

The PXW-Z100 professional 4K handheld XDCAM camcorder features a 1/2.33-inch Exmor R CMOS sensor with 16 million pixels.

The camcorder is ideal for creating stunning 4K content (4096 x 2160) at 50 fps (frames per second) or 60 fps.

The camcorder makes it easier for everyone from high-end cinema to entry-level productions to work in the 4K world.

The PXW-Z100 uses Sony's XAVC™* recording format first employed in the PMW-F55 CineAlta® 4K camera. MPEG-4 AVC/ H.264 compression is used for HD (1920x1080), QFHD (3840x2016) and 4K (4096×2160) content. Image sampling is 4:2:2 10-bit, with an intra-frame system that compresses each frame individually at a maximum bit rate of 500Mbps or 600Mbps during 4K 50fps or 60fps recording respectively and 223Mbps during HD 50fps or 60fps recording.

Sony PMW-F55 Super 35mm 4K CineAlta - complete camera systems.

 
Sony PMW-F55
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Sony F55 Complete camera systems

The PMW-F55 CineAlta camera shoots spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor.

You get superb dynamic range, the widest colour gamut, and pristine image quality, whether you shoot in HD, 2K or 4K. Multiple recording formats includes HD/2K/4K on SxS memory and 16-bit RAW 2K/4K on AXSM™ media Multiple recording formats include MPEG-2 HD422, MPEG4 SStP*, XAVC 2K*/HD, XAVC QFHD*/4K and 16-bit RAW 2K/4K**.

You can have simultaneous recording on internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM™ memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to the F55 and F5 cameras.

There is also high speed shooting up to 240 fps RAW 2K and 60 fps in RAW 4K recording onto the AXS-R5.

Canon C300 PL

 
Canon C300 PL
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Canon C300 PL

Product Highlights
•Super 35mm-Size CMOS Sensor
•PL Lens Mount to Accept Cinema Lenses
•Canon XF Codec - 4:2:2 50 Mb/s MPEG-2
•1920 x 1080i60 & True 24p Recording
•Rotating 4", 1.23 Mp LCD Monitor
•HD-SDI Output, XLR Inputs
•Dual CF Card Slots
•Timecode I/O, Genlock In & Sync Out
•Canon Log Gamma
•Modular Design: Removable Grip & Monitor

The Canon EOS C300 PL Cinema EOS Camcorder takes what professionals love about DSLR filmmaking – access to a vast selection of widely available lenses, a large sensor that facilitates a shallow depth of field, and portable operation with a modular, compact camera – and addresses its shortcomings. That means that unlike DSLR cameras, this Cinema EOS camcorder is designed both inside and out for professional cinematographers capturing motion pictures that will stand up to rigorous post-production processes.

 
As its name suggests, the EOS C300 PL features a PL mount for compatibility not only with a broad range of compatible cine lenses from manufacturers like Angenieux and Zeiss, but also with Canon's burgeoning line of EF Cinema lenses for PL mount. These lenses are designed to match up perfectly with the 3-perf Super 35mm-size CMOS sensor that Canon developed for this camera. Like the camcorder, these lenses (sold separately) were developed specifically for digital cinema, with engraved markings on angled surfaces in meters and feet and uniform front diameters for easy lens switching without having to reconfigure a matte box or follow focus gearing.

The Canon Super 35mm sensor is paired with the Canon DIGIC III image processor, which uses an innovative method of breaking out red, green, and blue data to enable color performance on a level that would otherwise require three separate chips. Recording HD formats to CompactFlash cards as Canon's XF codec – at the highest level a 50 Mb/s, 4:2:2 MPEG-2 format – the C300 PL records motion video that reduces the jagged edges and Moiré patterns that can plague video with 4:2:0 chroma subsampling and lead to post-production challenges.

Sony F5 Camera System

 
Sony F5 Camera System
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Sony F5 Camera System

Sony PMW-F5 CineAlta Camera is the next generation of the incredibly popular F3 and offers robust built-in recording modes, all with vibrant 4:2:2 color. Irresistible options include the amazing precision of 16-bit linear RAW 2K/4K recording and high speed shooting at up to 120 fps without cropping.

Viewfinders as revolutionary as the camera It's ironic that with focus so critical, most operators are stuck with viewfinders and on-camera monitors that offer middling contrast and resolution. Sony changes all that with the F5.

A new digital interface has given rise to a brilliant new series of viewfinders. •Amazing OLED: optional DVF-EL100. Don't let the small size fool you. This 0.7-inch* viewfinder has the incredible clarity of 1280 x 720 High Definition. And resolution is just the beginning.

Thanks to OLED technology, you get superb brightness, contrast and response. •Higher resolution, higher contrast: optional DVF-L350. Take a major step forward in operating with the incredible image of this 3.5-inch* LCD viewfinder.

Compared to previous Sony finders, this one has higher resolution (960 x 540) plus ten times the contrast. And the eyepiece flips up for direct monitoring.

Canon XF305 (XF-305) HD Camcorder

 
Canon XF305
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Canon XF305 (XF-305) HD Camcorder

Among the smallest and lightest cameras certified for broadcast use.

These can be fighting words, for though there is nothing "official" on a world-wide basis about being broadcast certified, within just a few days of these camera's first shipment in late June 2010 BBC Television certified the Canon XF305 as "approved by the BBC for independent productions".

The XF305, one of Canon's first file-based professional camcorders, combines an MPEG-2, 50Mbps, 4:2:2 codec with a Canon L-series lens, 3 Full HD CMOS sensors and studio connectivity for superb HD video stored on CF card.

ARRI Alexa Super35 Digital

 

ARRI Alexa Super35 Digital

The Super 35 format CMOS Bayer sensor exhibits cinematic, shallow depth of field and allows the use of all 35mm PL mount lenses. The sensor’s 3.5K pixel count delivers an optimum in image sharpness, sensitivity and latitude for HD (1920 X 1080) and 2K DI workflows.

Almost a century of experience and an obsessive attention to detail have led to generations of ARRI cameras that are tough, reliable and simple to operate while offering the best in image capture.

Those same high quality standards have also been applied to ALEXA, leading to a number of innovative and extraordinary solutions for creatives to bring their visions to the screen.

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RED EPIC

 

RED EPIC

The name is not an overstatement. The much anticipated addition to the RED family is the answer to the professional's wildest dreams and exists as the most sophisticated and capable camera ever engineered and built. In a package one third the size of a RED ONE, resides a 5K Mysterium-X™ sensor and a 27 layer ASIC, the most advanced processor of its type in the world, enabling EPIC to capture up to 120 frames per second, each frame at full 14MP resolution. EPIC is engineered to be a DSMC™ (Digital Still & Motion Camera), a camera that excels in both worlds ... by design. Providing native dynamic range of over 13 stops and resolution that exceeds 35 mm motion picture film, this is the camera of the epoch. Add to that RED's newly developed HDRx™ extended dynamic range technology and EPIC boasts an amazing dynamic range of up to 18 stops. Purpose-built for perfect multi-camera synchronization, EPIC comes to market at a time when 3D capture requires the sophistication of a new generation of innovative technology. 3D view of camera

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Canon Cinema EOS C300 EF

 
Canon Cinema EOS C300 EF
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Canon Cinema EOS C300 EF

Features
• 8.3MP Super 35mm CMOS sensor; Full HD
• Interchangeable lens (EF mount)
• Compact, modular, lightweight
• 50Mbps MPEG-2 MXF to CF card
• High sensitivity, low noise
• Canon Log Gamma
• 24.00p for movie production
• Wi-Fi remote control
• Seamless workflow integration

8.3MP Super 35mm CMOS sensor; Full HD
An 8.3MP Super 35mm CMOS sensor, designed and manufactured by Canon specifically for video capture, provides 3ch RGB processing for Full HD recording. Canon’s sensor technology delivers superb high-resolution images with high sensitivity, low noise, reduced rolling shutter artefacts and low power consumption, along with typical large sensor benefits such as beautifully shallow depth of field.

 


Interchangeable lens (EF mount)
The EOS C300’s EF mount brings the optical heritage of Canon’s interchangeable EF lens system to a dedicated video production tool – expanding creative options through a huge range of affordable and unique lenses. 3 electronic built-in ND filters increase shooting versatility.

Compact, modular, lightweight
The EOS C300 is ultra-compact, with a basic recording set up that weighs just 1669g (without lens). Removable grip, handle and multi-angle control panel components ensure maximum manoeuvrability, whilst the robust, splash resistant body features magnesium alloy components for additional rigidity and toughness.

50Mbps MPEG-2 MXF to CF card
Record broadcast-ready MPEG-2 MXF files at 50Mbps (4:2:2) to two CF memory cards – relay and simultaneous recording options are available. Industry-standard outputs include HD-SDI, along with Timecode, Genlock and Synch terminals for multi-camera shoots.

High sensitivity, low noise
The EOS C300 features enhanced sensitivity: low noise images can be captured at up to ISO 20000, allowing use in almost any shooting conditions.

Canon Log Gamma
Extensive image customisation includes built-in Canon Log Gamma, which delivers neutral image quality with wide dynamic range (800%) for maximum freedom in post-production. Adjust more than 90 image variables and store as Custom Picture profiles in-camera or on SD card.

24.00p for movie production
PAL, NTSC, and 24.00p modes are included as standard, offering frame rates from 23.98p to 59.94i. Adjust slow and fast motion in 1fps steps for creative flexibility.

Wi-Fi remote control
Wirelessly control camera settings such as ISO, focus, aperture and ND filters via a notebook, tablet or Smartphone, using a simple browser-based user interface. (Optional wireless adaptor required.)

Seamless workflow integration
Integrating seamlessly with existing workflows, EOS C300 movies are compatible with most widely-used professional NLE software packages.

SONY PMW-F3

 

SONY PMW-F3

The PMW-F3 camcorder has a Super 35mm single CMOS sensor: 23.6 x 13.3 mm, which is close to 35mm 3-perf 1.77:1 motion picture format. The newly developed Sony Exmor CMOS imager promises high sensitivity and low noise levels. The ballpark sensitivity rating is ISO 800 (1600 in S-log), with an exposure range greater than 13 stops. Since image sensors for motion picture production must consider characteristics such as sensitivity, dynamic range, and smoothness of motion—by enlarging the size of each pixel in the new Exmor CMOS sensor, Sony achieved high sensitivity, low noise, and good image quality.

The F3 has a PL mount. But it’s really an adaptor. Remove it by turning the mounting ring on the body counter-clockwise. Underneath is a new stainless-steel Sony F3 mount. It is a little wider than a PL, and reminiscent of Sony EX3 mounts.

SONY PMW-F3 Special Report

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RED one 4k System

 

RED one 4k System

The RED ONE™ body – designed for flexibility and functionality. Weighing in at 10 lbs, this is a streamlined package specifically designed to maximize your shooting options.

Matched with a 35mm PL lens mount, it allows you to take advantage of the world’s finest optics. Modular and upgradeable, the RED ONE™ camera is a future-proof acquisition system you can build upon.

RED ONE™’s modular design means you can add new features and accessories, as well as benefiting from performance improvements with each new firmware upgrade.

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Sony F35 CineAlta Super35 Digital

 

Sony F35 CineAlta Super35 Digital

Bringing together the advantages of digital technology with film-style operability, the F35 expands the “production toolset” available for high-end digital cinema and prime time program production both today and tomorrow.

The new F35 digital cinematography camera offers a Super 35mm-sized CCD sensor and PL lens mount for cinematographers who have passion for 35mm film lenses.

The F35's newly developed Super 35mm-sized CCD sensor provides breathtaking picture quality, an extensive range of depth-of-field controls, dynamic range, and F23-equivalent wide colour gamut. The PL lens mount of the F35 allows flexible use of the vast majority of 35mm cinema lenses, which greatly expands creative possibilities.

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Sony PDW F800 XDCAM HD 422 CineAlta

 

Sony PDWF800 XDCAM HD422 CineAlta

PDW-F800 is Sony’s top-of-the-line XDCAM™ HD422 Series is being embraced around the world for its file-based recording capability utilizing high-capacity and highly reliable Professional Disc™ media.

• Broadcast operational for film-like applications with 23.98 frame frequency mode
• High quality of CCD imager - Full HD (1920x1080) PowerHAD FX CCD
• Benefit of MPEG2 codec with the industry standard of MXF file
• Slow & Quick Motion (over-crank and under-crank recording)
• SD recording and playback capability
• Support Hyper Gamma and User Gamma

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Sony PDW-700 XDCAM HD 422

 

Sony PDW-700 XDCAM HD 422

The PDW-700 takes XDCAM HD performance to a new level. It records stunning quality HD images at up to 50 Mb/s onto 50GB Dual Layer Professional Discs.

The PDW-700 uses three 2/3-inch progressive CCD sensors each with full 1920 x 1080 resolution. 14 bit A/D conversion, 4:2:2 sampling and recording, and advanced digital signal processing ensure superb picture quality.

 The PDW-700 also supports recording in both 1080 and 720-line formats. The PDW-700 has been designed to increase the appeal of XDCAM HD for high-end applications such as drama, documentary and natural history and for mainstream entertainment programmes that required a prestige quality look.

For more specifications click here

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Sony PMW-350 XDCAM EX

 

Sony PMW-350 XDCAM EX

The XDCAM EX PMW-350 is the first Sony memory shoulder-mount camcorder, equipped with the cutting edge imaging technology of three 2/3 inch-type Exmor™ full HD CMOS sensors. These sensors, each with an effective pixel count of 1920 (H) x 1080 (V), give the camcorder an excellent sensitivity of F12 and a remarkable signal-to-noise ratio of 59 dB. Additionally, the large 2/3 inch–type sensors can capture images with a shallower depth of field, giving users more freedom of creative expression. The PMW-350 is studio-configurable, with timecode in/out, genlock in, HD/SD SDI and HDMI out, and also features a DVCAM recording option. Designed to be compact and ergonomically well-balanced, the PMW-350, with a main body weight of just over seven pounds, provides a high level of mobility and comfort in a wide variety of shooting situations. In addition, it has a low center of gravity, ensuring outstanding stability on the shoulder.

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Panasonic AG-AF102EN Micro 4/3 AVCCAM HD Video Camera

 

Panasonic AG-AF102EN Micro 4/3 AVCCAM HD Video Camera

The AG-AF100 series is a professional AVCCAM Series HD camera recorder equipped with the Micro Four Thirds optical system commonly used in digital single lens still cameras.

It directly accommodates Micro Four Thirds digital single lens still camera lenses, and an adaptor can be used to mount 35 mm film camera lenses and prime lenses. This lets you capture a wealth of film-like images with distinctive lens characteristics, like a shallow depth of field and an attractive soft focus. Designed for stable camera work, the AG-AF100 series is packed with functions and specifications that combine comfortable operation with superb images and extended recording times. It features HD-SDI output and mic input, remote control terminals, and versatile system interfaces that you normally find only on professional camera recorders.

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Sony PMW-EX3 XDCAM EX

 

Sony PMW-EX3 XDCAM EX

The PMW-EX3 compact camcorder with an interchangeable lens system incorporates three ½-inch type Exmor™ Full HD CMOS sensors, each with an effective pixel count of 1920 x 1080, delivering stunning-quality HD images in 1080P, 720P, and 1080i HD resolutions.

A rich variety of features for creative shooting are incorporated into this camcorder such as “Slow & Quick Motion”, which is also commonly known as “over-cranking” and “under-cranking”, selectable gamma curves, slow-shutter, interval recording and the Picture Profile™ feature.

Additionally, the PMW-EX3 offers a convenient remote-control and multi-camera operation capability, which allows use with high-end camera systems.

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Sony PMW-EX1 XDCAM EX

 

Sony PMW-EX1 XDCAM EX

The PMW-EX1 is the first in a new range of professional HD products - called XDCAM EX - which record onto memory-based SxS ExpressCard media.

Designed from the ground up to exploit the ultimate high performance of SxS PRO memory cards, the PMW-EX1 combines a state-of-the-art, non-linear XDCAM workflow with simply the best HD quality yet seen in a compact camcorder.

It is also the first handheld camcorder to carry the legendary CineAlta 24P brand with multiple frame rate recording capability such as 59.94i, 50i, and native 23.98P, as well as being 1080i/720P switchable.

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Sony HDW F900R HDCAM

 

Sony HDW F900R HDCAM

The highly respected HDW-F900 camcorder has now been refined into the next-generation HDW-F900R, offering a variety of further enhanced functionalities.

 The HDW-F900R camcorder records images in accordance with the CIF (Common Image Format) standard, which specifies a sampling structure of 1920 x 1080 active pixels. Plus, as well as recording at 24P, the HDW-F900R camcorder is switchable to record at 25P, 29.97P progressive scan, and also at 50 or 59.94 Hz interlaced scan.

The camcorder also provides a comprehensive range of features for creative shooting such as enhanced gamma features and colorimetry controls. Plus, the design of the HDW-F900R is highly compact and lightweight, giving users higher levels of mobility and comfort when shooting.

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Panasonic HDC-27 VARICAM DVCProHD

 

Panasonic HDC-27 VARICAM DVCProHD

The AJ-HDC27 VariCam HD Cinema Camera brings variable frame rate acquisition to the DVCPRO HD product line up.

This is the first high definition production camera that is capable of variable frame rate at the touch of a button. Individual frame rates may be selected from: 4-fps to 60-fps in single frame increments.

Designed as a high quality production camera, this native 720p camcorder can be used for 60-fps or the film-like 24-fps acquisition. When acquiring for 24-fps projects, higher than 24-fps operation can be processed for slow motion effects while slower than 24-fps operation can be processed to speed up motion.

Additionally, the variable frame rates and related variable shutter speeds create some very interesting effects.

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Canon 7D Super 35 Digital kit

 

Canon 7D Super 35 Digital kit

Canon EOS 7D digital SLR camera features with high resolution 18 Megapixels CMOS sensor, Dual DiG!C 4 Image processor and 3 inch LCD with Liveview mode.

Canon EOS 7D has ISO setting from 100 to 6400, even expandable up to 12800, 8 fps continuous shooting, and intelligent viewfinder with 100% field of view.

Moreover, Canon EOS 7D DSLR can record Full HD movie and equips with HDMI connection. Canon EOS 7D camera body is solid-built with Magnesium with dust and weather resistance design.

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Panasonic HVX-202 DVCProHD

 

Panasonic HVX-202 DVCProHD

  • Variable Frame Rate from 12 to 50 fps
  • HD/SD Multi-Format Recording
  • New 13x Leica Dicomar HD Lens with Wider, 30mm angle of view (35mm equivalant)
  • New Progressive CCD Greatly Improves S/N Ratio and Lowers Smear
  • New DSP with 14-bit A/D Conversion and 19-bit Processing
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Sony HVR-Z1P 1080i HDV

 

Sony HVR-Z1P 1080i HDV

The HVR-Z1P 1080i HDV camcorder can capture HDV, DVCAM and DV images at 60i, 50i, 30, 25 or 24 frames per second, in either SD or HD. This switchable 60/50 capability allows videographers to use just one camcorder to meet an array of client needs for both local and overseas markets.
With native high resolution 16:9 widescreen CCDs and the ability to record and play back DVCAM and DV as well as HDV, the Z1P allows you to continue shooting in Standard Definition today with the view of migrating to High Definition tomorrow. You also have the option of recording on HDV, to future proof your footage, and outputting DVCAM or DV for editing in standard definition now. The option is yours and the brilliant results have to be seen to be believed.
In addition to allowing backward compatibility to the standard definition DV world, the 1080i recorded image can also be down-converted to SD output mode directly from the camcorder in the digital or analogue domain.

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GoPro miniature camera kit

 

GoPro miniature camera kit

Whether you want to capture exciting photos and video while surfing with your friends, airing it out on the mountain, hiking your favorite trails, or railing your favorite tracks...this is a product that make it easy to do so.

Most cameras are too inconvenient to use during many activities. HERO cameras make it easier than ever to shoot digital photos and video during life's most exciting moments.

No more rubber bands, wrist ropes, homemade mounts. No more missed footage because the camera was stuffed in the backpack. Finally, get the shot that makes you look like a HERO...GoPro.

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Sony HXR-MC1 1080i AVCHD microcam

 

Sony HXR-MC1 1080i AVCHD microcam

The HXR-MC1/ACC is an easy-to-use HD camera system and accessory kit, consisting of a small camera unit, a handheld controlling unit with LCD panel and recording function and a complete accessory kit including a rechargeable battery pack, AC adapter/charger, wide conversion lens, remote commander and case.

This all-in-one tiny camera system needs no extra equipment, take it out and just start shooting! Also, the camera unit is splash-proof, allowing easy usage under tough conditions, such as outdoor shooting or water-side shooting. The range of HD shooting will expand using this one-and-only camera.

Moreover, the unique style of the HXR-MC1/ACC enables shooting in extraordinary conditions and angles, such as shooting sports scenes from the user’s point of view and onboard shooting in motor sports. The creative possibilities are limitless.

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